Showing posts with label Michael Omartian. Show all posts
Showing posts with label Michael Omartian. Show all posts

Saturday, March 23, 2013

Beautiful, Mysterious Melody - "You Can Have Me Any Time" - DAZZ and Boz Scaggs

Share this ARTICLE with your colleagues on LinkedIn .







On to the most profoundly elaborate, angelic, hypnotic pieces of mood music ever performed by Boz Scaggs, who is definitely a balladeer, a versatile singer, and one of The RadioDAZZ guy's favorite performers. Boz is a perfectionist - his first major market album was produced by David Paitch and then his subsequent works by Michael Omartian.

My friend Joyce started by getting me hooked on "Lowdown," and my appreciation for this this amazing talent has grown ever since. My appreciation for Joyce never has left -- she was there for so much of the music of my life, and had introduced me to some of the greatest music I had ever known. Maybe the girl knew more about me than I knew about myself. Eventually, Uncle DAZZ was "Down Two, Then Left," and my teenage muse and I drifted apart -- physically, more than spiritually. I have always since thought of myself as an actor in her life's movie. Thank you, Mabes.

I wrote this comment on YouTube after hearing this magical song, and having to hold back tears of either joy or sorrow. Joyce taught me what "Bittersweet" meant by her example - in and out of my life - like a reluctant but loving muse:

Boz Scaggs - That delicate cul-de-sac signature voice, performing a song of almost infinite depth and utter beauty. It is a powerful hypnotic, drifting in and out, like the curtains on an early September afternoon. RadioDAZZ (that's me) thinks that virtually every one of your solo vocals has entered my heaving chest, and nests permanently inside my heart forever. Thank you for the feelings, the tears, the memories...but mostly for the choirboy who lets the song's beauty speak through him. - Douglas E. Castle

Listen to this song, and feel it to your soul's core. Just click on the link or on the YouTube player (if it makes and appearance) and enjoy this treasure beyond measure:

"YOU CAN HAVE ME ANYTIME"

http://www.youtube.com/watch?v=q1TFWYsS5HE


Thank you for reading, listening and feeling me. - DAZZ

p.s. Bless those of you who not only listen, but who share these pieces of heaven with your connections throughout your social networks.





View DOUGLAS E. CASTLE's profile on LinkedIn

Douglas E Castle
All Blogs & RSS Feeds

Share this page
The Hype Machine

Contact Douglas Castle
Follow Me on Pinterest






***
View DOUGLAS E. CASTLE's profile on LinkedIn

Douglas E. Castle - Blogger Profile
CFI - Notes From The CEO
Instant Musical Counterpoint - Relax!



 





Thursday, August 16, 2012

AFRICA - A Masterpiece By Toto - Dazz

Share this ARTICLE with your colleagues on LinkedIn .










I've got to be candid - Toto is a group comprised of some of the world's best session musicians. In the aggregate, their talent is unsurpassed.

My favorite songs are the unlikeliest of all: "Georgy Porgy," and "Hold The Line (Love Isn't Always On Time."

In fact, Georgy knocks me out with is hypnotic switch (a magical, musical morph) from a dreamy Boz Scaggs-type lamentation ballad into a mysteriously diabolical refrain, rife with augmented ninths in a get-on-the-edge-of-your-seat counterpoint harmony with some very, very seductive young ladies joining in on the vocals.

Once, I sat in on keyboards to play the other tune ("Hold The Line"), and my right hand still hurts when it is humid outside -- for you technicians, it involves playing four sets of thirds (twelve strikes) to the measure for what seems like the world's longest time.


Love that song too. The vocal comes right from the heart into the rasp of a throat...

Africa was an absolute sensation. The mixture of exotic instruments (truly from the root of Afrika), the lyrics, the vast, wide-swinging changes in mood and dynamics makes this song into a story -- a performance. A fellow by the name of
William Ruhlmann, a true discographer, had this to say about what has become Toto's acknowledged masterwork:
---------------
(1982) Toto was formed in Los Angeles in 1978 by David Paich (b. June 21, 1954, Los Angeles; keyboards, vocals), Steve Lukather (b. October 21, 1957, Los Angeles; guitar, vocals), Bobby Kimball (b. Robert Toteaux, March 29, 1947, Vinton, LA; vocals), Steve Porcaro (b. September 2, 1957, Connecticut; keyboards), David Hungate (b. Texas; bass), and Jeff Porcaro (b. April 1, 1954, Hartford, CT; d. August 5, 1992, Hidden Hills, CA; drums). Paich was the son of arranger Marty Paich; the Porcaros were the sons of percussionist Joe Porcaro. The bandmembers had met in high school and at studio sessions in the 1970s, when they became some of the busiest session musicians in the music business. Paich, Hungate, and Jeff Porcaro wrote songs for and performed on Silk Degrees, the multi-million-selling 1976 album that combined pop, rock, and disco elements into a slick combination which heavily influenced mainstream pop music.
 
Toto released its self-titled debut album in October 1978, and it hit the Top Ten, sold two-million copies, and spawned the gold Top Ten single "Hold the Line." The gold-selling Hydra (October 1979) and Turn Back (January 1981) were less successful, but Toto IV (April 1982) was a multi-platinum Top Ten hit, featuring the number-one hit "Africa" and the Top Tens "Rosanna" (about Lukather's girlfriend, movie star Rosanna Arquette) and "I Won't Hold You Back." At the 1982 Grammys, "Rosanna" won awards for Record of the Year, Best Pop Vocal Performance, and Best Instrumental Arrangement With Vocal; and Toto IV won awards for Album of the Year, Best Engineered Recording, and Best Producer (the group). In 1984, a third Porcaro brother, Mike (b. May 29, 1955), joined the group on bass, replacing Hungate. Then lead singer Kimball quit and was replaced by Dennis "Fergie" Frederiksen (b. May 15, 1951, Wyoming, MI).
 
Toto's fifth album, Isolation (November 1984), went gold, but was a commercial disappointment. Frederiksen was replaced by Joseph Williams (b. Santa Monica), the son of the conductor/composer John Williams, for Fahrenheit (August 1986). Steve Porcaro quit in 1988, prior to the release of The Seventh One. In 1990, Jean-Michel Byron replaced Williams for the new recordings on Past to Present 1977-1990, then left, as Lukather became the group's lead singer. Jeff Porcaro died of a heart attack in 1992, but was featured on the group's next album, Kingdom of Desire. By this time, Toto was far more popular in Japan and Europe than at home. The group added British drummer Simon Phillips. Tambu, released in Europe in the late fall of 1995, appeared in the U.S. in June 1996. For 1999's Mindfields, Bobby Kimball returned to the lineup after a 15-year absence. The group members continued to do session work during the band's tenure, contributing significantly to the sound of mainstream pop/rock in the 1970s, '80s, and '90s. ~ William Ruhlmann, All Music Guide
---------------
It's interesting to note that David Paich was the producer of Boz Scaggs' album "Silk Degrees," before Michael Omartian ( producer for Michael McDonald, Christopher Cross, and others) took the position from him for the album "Down Two Then Left."

Listen to Africa. It's magical. It's only one click down the trail. Walk slowly, by the crescent of the moon...

http://www.youtube.com/watch?v=aCca5mPMp9A&feature=related



Man, on reflection, it's a song that you can feel. It IS a triumph for Toto.



View DOUGLAS E. CASTLE's profile on LinkedIn


Douglas E Castle
All Blogs & RSS Feeds

Share this page
The Hype Machine

Contact Douglas Castle
Follow Me on Pinterest

ARCHIVES OF POSTS PAST