Showing posts with label Bassline. Show all posts
Showing posts with label Bassline. Show all posts

Tuesday, October 23, 2012

THE BORDERLINES - Jeffrey Osborne - Unbelievable!

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Back when he was with LTD, Jeffrey Osborne had a major hit with "Back In Love Again." He had an incredibly vast vocal range which complemented his funky voice. His lyrics (his elocution was unique) were a bit tough to understand, but if you listened hard and long enough, you were not only hearing him clearly, but you started to speak his dialect.

He had other solo hits with "On The Wings Of Love," and a host of other love ballads. His funkiest was "Stay With Me Tonight," which was a funky pop serenade with a flamingly snappy bass line - unforgettable pops and slides - but his most haunting and somehow lost song was "The Borderlines."

This song has one of the most exciting guitar riffs (with a supporting bass counterpoint) I've every worked up a sweat to. It was truly killer, and was briefly played in all manner of remix by DJs in 1984. This song is like a drug.

Listen. Let it grab you. Feel it build up to multiple climaxes. It creeps up behind you like an assassin, and takes you out. I love this song. You know the formula --- turn up the volume (for an initial stun), crank up the bass, click on the song, and be prepared to go dancing around the room. I suggest that you try this one at the office.


THE BORDERLINES

http://www.youtube.com/watch?v=TCPfpWNc8ik




And as an added bonus, here's "Stay With Me Tonight" - Another killer song. Just listen to that soulful, crazed voice against that percussive poppy bass. There was, and has never been, another song, or sound, anything like it. When I first heard it, I stopped my car, jumped out into an ice-covered parking lot, and boogied around until I fell, making a total fool of myself in front of a young lady I was dating. Thankfully, she attended to my wounds -- so much so that I was ready to jump and a fall onto the ice again. But that can be our secret.

Crank up the volume, the bass boomers, the over-thrusters, the flux capacitors, photon torpedoes, and click:

Note: Please pardon the loud, mood-busting advertisement that YouTube has inserted prior to the actual performance of the song. We all need coinage.[sigh]

http://www.youtube.com/watch?v=wCWYZHYIPyE


A favor to ask: Please forward this article to all of your friends by email and/or social media sharing and tell them to give Jeffrey Osborne a serious listen. He never got what Dazz considers a fair shot -- and we need someone to counterbalance Lady Gaga and Justin Bieber. Please. Thank you!

- RadioDAZZ





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Wednesday, April 11, 2012

"Let It Whip" - The DAZZ Band - Give In To It!

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While this is not my theme song, it is by the Dazz Band, and it is a soul-funk-smacker. Great beat, great bass line, great synth effects (crack that whip!), straight-ahead jam with a Rick James feel all about it. It's powerful stuff... but I'm betting that it will scramble your post-Easter eggs and get your adrenaline flowing better than that office coffee and tax return filing deadline..

Pump up that volume, click on the link or player, and get ready to move despite yourself.

I agree. We've all got to take a break from the pressure and fear, and just let it whip.

You're mine now. Get ready to ride. Listen to your brother, at RadioDAZZ.

http://www.youtube.com/watch?v=4KzORRrLxxo&feature=related








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Thursday, April 5, 2012

GROOVELINE! - RadioDAZZ Rocks HEATWAVE [Get Set To Sweat]

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I was captured during my Disco days (daze?) by the funky, full "wall of sound" (an evolved form of Phil Specter's 60's hit-making mechanical mechanism) that Heatwave generated. It was as if they were surrounding us completely, from without and within. So aptly named, they were always on fire, with a pulse, a sense of urgency, a power of possession and mastery.

So you liked "Boogie Nights?" That's aight. It was a major breakthrough. I enjoyed it. But the Grooveline was so rich and soulful, with its signature bass line (an companion bass vocal), and its wildly eccentric but electric de-tuned tack piano riffs. They add to that ever-youthful feeling of adrenaline-infused happy panic and the magic of infinite possibilities. Music could make us feel invincible.

Love that twangy, trebly, guitar augmented ninth played way up on the fretboard (like a constant replay of the first chord of Blood, Sweat and Tears' "Spinning Wheel"0, and the staircase of discordant brass leading into each amazing verse. So busy. So much going on. All of it joyful. Somehow it all works.

If you just sit in your chair, and put this song on high volume and bass boost, I'll bet you'll feel the hair rise on your neck, and that your shoulders and legs will get a workout whether you want them to or not. The most effective and influential pop songs are the ones that bypass all of your conditioned defenses and take control of your body.

Enjoy this. Click. Feel the temperature rise...

http://www.youtube.com/watch?v=GJDPz4guxOQ&feature=related







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Saturday, February 25, 2012

Jr. Walker - "What Does It Take?" - Best All-Soul Break Song.

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Junior WalkerCover of Junior WalkerJr. Walker and The All Stars performed "What Does It Take?" and created a soul classic of epic proportions. 

It is a mixture of wonderfully harmonized vocals (in thirds) and fabulously razzy, funky, soulful sax instrumentals.  Walker's sax sings and almost cries out for mercy in the upper register.

This song has an absolutely unique signature bass line (going from 5 to 1 / going from the fifth to the root instead of the straight ahead "root on one" that typifies so many songs) which is beautifully suspenseful... anticipatory off-balance with a syncopated feel to it. The vocals are crying-down-on-your-knees and heart wrenching.

The tune, with its bass intro and distinctively melodic saxophone riff has been a sacred break song (between sets, between jockeys, or before cutting over to commercials) on radio shows for more than 40 years -- and is still going strong today.

During the vocal, listen to the part where one of the two vocalists speaks out (looking toward the sax), "gonna blow for you, baby." So much passion in a jam of only three chords.

Recorded live in the studio without any tricks, overdubbing or over-production. Just some real soul men singing straight from the heart, begging for a woman to defrost and hand over the keys to her love..."

Please click on either the link or the player below and let the sound warm you. Dazz always says, "Let the music take you." Bathe in this magical song's feeling of warmth. Enjoy it.

http://www.youtube.com/watch?v=wzPQe8JYJns&feature=related









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Sunday, November 13, 2011

Brothers Johnson - I'll Be Good To You - DAZZ

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The very best of The Brothers Johnson. Deeply funky, heart-pounding, distorted guitar riffs, chick-singer backup, lay-it-out-solid-bass line. E minor never sounded so funky. Great production. "I'll Be Good To You." It marches on.

Enjoy the rich instrumentation, tambourine, multi-track sideways overdubbed harmonies. Redundant? No. RadioActive! --RadioDAZZ

Just click on the link or on the video player to let this song put you into a head-bopping groove. Just between us, I hope she took him back.

http://www.youtube.com/watch?v=YyPsYAaM98k&feature=related








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